Study of Transmedial and Artistic Representation of the Image of Kazakhstan in Modern Scientific Literature

Abstract

The proposed research problem is aimed at searching for the components of the Kazakh text in the entire space of modern world literature. The theoretical significance of the study lies in the analysis of various levels of poetics in samples of world fiction, containing an appeal to the image of Kazakhstan, to its realities, traditions, history and culture. In the modern world, the idea of a particular country is formed not only in the depths of its own domestic literature, but often the aesthetic process of understanding the world of another country can also occur at the expense of foreign literature. Cultural values were and are regarded as the foundation of national identity. The search and accumulation of cultures that form the core of the Kazakh mentality, located in domestic content, is a long-standing and successful process. This largely applies to fiction. At the same time, today there are neither local nor large-scale studies that would recreate the overall picture of the elements of national literature as a special artistic phenomenon. The resulting vacuum can be filled by the study of the so-called “Kazakh text” as a special phenomenon of Kazakh artistic culture.
The study of transmedial and artistic representation of the image of Kazakhstan in modern scientific literature is a study of how the image of Kazakhstan is presented and interpreted in various media and artistic forms. This may include analysis of cinema, literature, visual art, theatre, music and other cultural products, as well as how these images interact with political, social and cultural contexts.
The article aims to develop a theoretical framework for the representation of a unique Kazakhstani text in a global literary context. To achieve this goal, we will use the following methods: sociological, intercultural hermeneutics, historical-functional, intermedial analysis, etc.